Lens & Filter Reviews

Updated: May 24, 2013 19:02
Brand
Price
#2976
alaScore -1

Olympus Zuiko ED 50-200mm f/2.8-3.5

This telephoto zoom from the Olympus stable, designed for the 4/3rds mount system equates to a 100-400mm in 35mm terms when you apply the 2x crop factor that the 4/3rd system uses. We take a look at how this optic performs.

2 expert reviews

#2977
alaScore -1

Nikon 18-200 AF-S DX VR f/3.5-5.6 G

This lens is Nikon's entry into the comparatively new group of superzooms designed exclusively for cropped sensor cameras and carries the DX coding to signify this. We take a look at their efforts, which is the first to carry a stabilising device.

2 expert reviews

#2978
alaScore -1

Olympus Zuiko ED 18-180mm f/3.5-6.3

Zoom lenses with a ratio of 10:1 or greater have become known as Superzooms and to some are the Holy Grail of interchangeable lenses. The reality is that they need a number of compromises to achieve their range and make a ‘Jack of all Trades' rather...

2 expert reviews

#2979
alaScore -1

Sigma 727107

Sigma produce an impressive range of long telephoto lenses and this offering, at 135-400mm is one of their more budget orientated offerings. Designed for full frame 35mm cameras, but now upgraded to DG specs for digital, we take a look at how it performs.

2 expert reviews

#2980
alaScore -1

Nikon AF-S 200-400mm f/4 G ED VR

This top end lens from Nikon is another that looks like it requires a pilot's licence to operate it! Bristling with knobs, buttons and switches, it takes a long study just to see them all. But are they of any use? We take a look.

2 expert reviews

#2981
alaScore -1

Sigma 55-200 f/4-5.6 DC

As a popular focal length range for purchase as a second lens on cropped sensors, and often offered in twin lens kits, this lens, starts at the point where most standard kit lenses finish and goes out to a good medium telephoto length. We take a look...

2 expert reviews

#2982
alaScore -1

Sigma 18-50mm f/2.8 EX DC Lens

Distortion ranges from mild barrel at 18mm to near distortion free at 35mm to slight pincushion distortion at 50mm. Colors seem fine - neutral. Some people think this lens produces warm/yellow results, but I am not noticing this. The 7-blade aperture...

2 expert reviews

#2983
alaScore -1

Konica Minolta AF Macro 50mm f/2.8 (D)

Minolta, or Konica Minolta as they are now, have a long standing reputation for the quality of their lenses and for the most part this example does not disappoint. Build quality is good and the lens handled well with the exception of the autofocus....

2 expert reviews

#2984
alaScore -1

Nikon AF-S 12-24mm f/4 DX G ED

Nikon were the first to produce a dedicated ultra wide angle lens for their cropped sensor cameras and they obviously put all their experience of both SLR lenses and wide angle for smaller sensor (Coolpix) lenses to full use. Despite some more recent...

2 expert reviews

#2985
alaScore -1

Canon 75-300mm f/4-5.6 III USM EF Lens

Canon 75-300mm USM III review.

2 expert reviews

#2986
alaScore -1

Nikon Micro-Nikkor 200mm/4 IF

This lens is the longest focal length in Nikon's line-up of Macro lenses. Nikon call them Micro, but they do the same job as everybody else's Macro lenses and that is to produce images that are a 1:1 ratio on the film or sensor. Not only is it Nikon's...

2 expert reviews

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#2987
alaScore -1

Nikon AF-S VR-Nikkor 70-200mm f/2.8 G (IF)

This lens is Nikon's version in the professionally specified and very popular 70-200 range. It incorporates Nikon's own variety of stabilisation, in this case called VR (Vibration Reduction) and, as with other stabilised lenses, there are two modes....

2 expert reviews

#2988
alaScore -1

Cosina 100mm f/3.5 Macro

This lens provides fairly good optical performance at a very low price. If you really cannot afford the price of a more reputable lens, and you can cope with the Kinder Surprise build quality and slow autofocus, then this lens will do the job. However...

2 expert reviews

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